The Andrews Sisters were a highly successful
close harmony singing group of the
swingand
boogie-woogie eras. The group consisted of three sisters:
contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967),
soprano Maxene Angelyn Andrews (January 3, 1916 – October 21, 1995), and
mezzo-soprano Patricia Marie "Patty" Andrews (February 16, 1918 – January 30, 2013). Throughout their long career, the sisters sold well over 75 million records (the last official count released by
MCA Records in the mid-1970s). Their 1941 hit "
Boogie Woogie Bugle Boy" can be considered an early example of
rhythm and blues[1][2] or
jump blues.
[edit]
The Andrews Sisters were born in Minnesota to a Greek immigrant father Peter Andreas (probably an Americanization of Petros Andreou) (1884–1949), and a Norwegian American mother[3] Olga "Ollie" (née Sollie) Andrews (1886–1948).Early life
Patty, the youngest and the
lead singer of the group, was only seven when the group was formed, and just 12 when they won first prize at a talent contest at the local
Orpheum Theatre in
Minneapolis, where LaVerne played piano accompaniment for the
silent film showings in exchange for free dancing lessons for herself and her sisters. Once the sisters found fame and settled in
California, their parents lived with them in a
Brentwood estate in Los Angeles until their deaths. Several cousins from
Minnesota followed them west. The sisters returned to Minneapolis at least once a year to visit family and friends and/or to perform.
They started their career as imitators of an earlier successful singing group, the
Boswell Sisters. After singing with various dance bands and touring in
vaudeville with the likes of
Ted Mack,
Leon Belasco, and comic bandleader Larry Rich, they first came to national attention with their recordings and radio broadcasts in 1937, most notably via their major Decca record hit,
Bei Mir Bist Du Schön (translation: "To Me, You Are Beautiful"),
[4] originally a
Yiddish tune, the lyrics of which
Sammy Cahn had translated to English and which the girls harmonized to perfection. They followed this success with a string of
best-selling records over the next two years and they became a
household name by 1940.
[edit]World War II
During
World War II, they entertained the
Allied forces extensively in
America, Africa and
Italy, visiting
Army,
Navy,
Marine and
Coast Guard bases, war zones,
hospitals, and munitions factories.
[5] They encouraged U.S. citizens to purchase
war bonds with their rendition of
Irving Berlin's song
Any Bonds Today?. They also helped actress Bette Davis and actor John Garfield found
California's famous
Hollywood Canteen, a welcome retreat for
servicemen where the trio often performed, volunteering their personal time to sing and dance for the
soldiers,
sailors and
Marines (they did the same at
New York City's
Stage Door Canteen during the war). While touring, they often treated three random servicemen to dinner when they were dining out. They recorded a series of Victory Discs (V-Discs) for distribution to
Allied fighting forces only, again volunteering their time for studio sessions for the Music Branch, Special Service Division of the Army Service Forces, and they were dubbed the "Sweethearts of the
Armed Forces Radio Service" for their many appearances on shows like "Command Performance", "Mail Call", and "
G.I. Journal."
[edit]Career interruption
The Andrews Sisters broke up in 1951 because Patty joined a different group, with her husband acting as her agent. When Maxene and LaVerne learned of Patty's decision from newspaper
gossip columns rather than from their own sister, it caused a bitter two-year separation, especially when Patty decided to worsen matters by suing LaVerne for a larger share of their parents' estate.
[citation needed]Maxene and LaVerne tried to continue the act as a duo and met with good press during a 10-day tour of
Australia, but a reported
suicideattempt by Maxene in December 1954
[6] put a halt to any further tours (Maxene spent a short time in the hospital after swallowing 18 sleeping pills, an occurrence that LaVerne told reporters was an accident).
The trio reunited in 1956. They signed a new recording contract with
Capitol Records (for whom Patty had become a featured soloist) and released a dozen singles through 1959, some
rock-and-roll flavored and not very well received, and three
hi-fi albums, including a vibrant
LP of songs from the dancing 1920s with
Billy May's orchestra. In 1962, they signed with
Dot Records and recorded a series of
stereoalbums until 1964, both re-recordings of earlier hits, as well as new material, including "
I Left My Heart In San Francisco", "
Still", "
The End of the World",
[disambiguation needed] "
Puff the Magic Dragon", "
Sailor", "
Satin Doll", the theme from
Come September, and the theme from
A Man and a Woman. They toured extensively during the 1960s, favoring top nightclubs in
Las Vegas, Nevada,
California and
London, England.
Eldest sister LaVerne died of
cancer in 1967 after a year-long bout with the illness,
[ during which she was replaced by singer Joyce DeYoung. LaVerne had founded the original group, and often acted as the peacemaker among the three during the sisters' lives, more often siding with her parents, to whom the girls were extremely devoted, than with either of her sisters. Their last appearance together as a trio was on
The Dean Martin Show on September 27, 1966.
After LaVerne died, Maxene and Patty continued to perform as a duo until 1968, when Maxene announced she would become the Dean of Women at Tahoe Paradise College, teaching acting, drama, and speech at a
Lake Tahoe college and worked with troubled teens, and Patty was once again eager to be a
soloist.
[edit]Comeback
Patty immediately distanced herself from Maxene, who claimed until her death that she was not aware of Patty's motives regarding the separation. She appealed to Patty for a reunion, personally if not professionally, both in public and in private, but to no avail. Maxene suffered a serious
heart attack while performing in
Illinois in 1982 and underwent
quadruple bypass surgery, from which she successfully recovered. Patty visited her sister while she was hospitalized. Now sometimes appearing as "Patti" (but still signing autographs as "Patty") she re-emerged in the late 1970s as a regular panelist on
The Gong Show. Maxene had a very successful comeback as a cabaret soloist in 1979 and toured worldwide for the next 15 years, recording a solo album in 1985 entitled "Maxene: An Andrews Sister" for Bainbridge Records. Patty started her own solo act in 1981, but did not receive the critical acclaim her sister had for her performances, even though it was Patty who was considered to be the "star" of the group for years. The critics' major complaint was that Patty's show concentrated too much on Andrews Sisters material, which did not allow Patty's own talents as a very expressive and bluesy vocalist to shine through.
The two sisters did reunite, albeit briefly, on October 1, 1987 when they received a star on Hollywood's
Walk of Fame, even singing a few bars of "
Beer Barrel Polka" for the
Entertainment Tonight cameras. Ironically, an earthquake shook the area that very morning and the ceremony was nearly cancelled, which caused Patty to joke, "Some people said that earthquake this morning was LaVerne because she couldn't be here, but really it was just Maxene and I on the telephone." Both sisters laughed and shared a hug. Besides this, and a few brief private encounters, they remained somewhat estranged for the last few years.
Shortly after her
Off-Broadway debut in
New York City in a show called
Swingtime Canteen, Maxene suffered another heart attack and died at
Cape Cod Hospital on October 21, 1995, making Patty the only surviving Andrews Sister. Not long before she died, Maxene told music historian William Ruhlmann, "I have nothing to regret. We got on the carousel and we each got the ring and I was satisfied with that. There's nothing I would do to change things if I could...Yes, I would. I wish I had the ability and the power to bridge the gap between my relationship with my sister, Patty."
[citation needed] Upon hearing the news of her sister's death, Patty became very distraught. As her husband Wally went to her, he fell on a flight of stairs and broke both wrists. Patty did not attend her sister's
memorial services in
New York, nor in
California. Said
Bob Hope of Maxene's passing, "She was more than part of The Andrews Sisters, much more than a singer. She was a warm and wonderful lady who shared her talent and wisdom with others."
[edit]Retirement and deaths
Instrumental to the sisters' success over the years were their parents, Olga and Peter; their orchestra leader and musical arranger,
Vic Schoen (1916–2000); music publishing giant
Lou Levy, who died only days after Maxene, and was their manager from 1937–51 and was also Maxene's husband from 1941–49;
[11] and both
Jack Kapp (d. 1949) and his brother
David Kapp, who founded Decca Records. Maxene was the mother of 2 adopted children, Peter and Aleda Ann.
Patty Andrews married agent
Marty Melcher in 1947 and left him in 1949, when he pursued a romantic relationship with
Doris Day. She then married Walter Weschler, the trio's pianist, in 1951. LaVerne married Lou Rogers,
[7] a trumpet player in
Vic Schoen's band, in 1948, and remained with him until her death (he died in 1995, five days after Maxene's and five days before Levy's deaths).
Patty Andrews died in
Northridge, California on January 30, 2013. Wally Weschler, her husband of 60 years, died on August 28, 2010, at the age of 88. In interviews, when granted, she rarely spoke personally of her sisters. When asked about their legendary feuding, she joked about it and quickly moved on to the next topic, as in 1985, when she told
Merv Griffin during a television interview, "The Andrews Sisters only had one big fight. Really. It started in 1937 and it's still going!"
Until the advent of
the Supremes, the sisters were the most imitated of all female singing groups and influenced many artists, including
Mel Tormé,
Les Paul and Mary Ford,
The Four Freshmen,
The McGuire Sisters, The Manhattan Dolls,
The Lennon Sisters,
The Pointer Sisters,
The Manhattan Transfer,
The Puppini Sisters,
Barry Manilow, and
Bette Midler who scored her first #1 hit with her 1973 remake of "Boogie Woogie Bugle Boy". Even
Elvis Presley was a fan.
Most of the Andrews Sisters' music has been restored and released in
compact disc form, yet over 300 of their original Decca recordings, a good portion of which was hit material, has yet to be released by
MCA/Decca in over 50 years. Many of these Decca recordings have been used in such television shows and Hollywood movies as
Homefront,
ER,
The Brink's Job,
National Lampoon's Christmas Vacation,
Swing Shift,
Raggedy Man,
Summer of '42,
Slaughterhouse-Five,
Maria's Lovers,
Harlem Nights,
In Dreams,
Murder in the First,
L.A. Confidential,
American Horror Story,
Just Shoot Me,
Gilmore Girls,
Mama's Family,
War and Remembrance,
Jakob the Liar,
Lolita,
The Polar Express,
The Chronicles of Narnia,
Molly: An American Girl on the Home Front,
Memoirs of a Geisha, and
Bon Voyage, Charlie Brown (and Don't Come Back!!). Comical references to the trio in television
sitcoms can be found as early as
I Love Lucy and as recently as
Everybody Loves Raymond. In 2007, their version of "
Bei Mir Bist Du Schön" was included in the game
BioShock, a first-person shooter that takes place in an
alternate history 1960, and later in 2008, their song "Civilization" (with
Danny Kaye) was included in the
Atomic Age-inspired video game
Fallout 3. The 2011 video game
L.A. Noire features the song
Pistol Packin' Mama, where the sisters perform a duet with
Bing Crosby.
Christina Aguilera used the Andrews Sisters' "Boogie Woogie Bugle Boy" to inspire her song "
Candyman" (released as a single in 2007) from her hit album
Back to Basics. The song was co-written by
Linda Perry. The London based trio the
Puppini Sisters uses their style harmonies on several Andrews Sisters and other hits of the 1940s and 1950s as well as later
rock and
disco hits. The trio has said their name is a tribute to The Andrews Sisters. The Manhattan Dolls, a New York City-based touring group, performs both the popular tunes sung by the Andrews Sisters and some of the more obscure tunes such as "Well Alright" and "South American Way" as well.
In 2008 and 2009, the
BBC produced a one-hour documentary on the history of the Andrews Sisters from their upbringing in
Mound, Minnesota, to the present. The American premier of the show was June 21, 2009 in Mound. In 2008, Mound dedicated "The Andrews Sisters Trail". The sisters spent summers in Mound with their uncles Pete and Ed Solie, who had a grocery store there. Maxene Andrews always said that the summers in Mound created a major sense of "normalcy" and "a wonderful childhood" in a life that otherwise centered on the sisters' careers. The Westonka Historical Society has a large collection of Andrews Sisters memorabilia.
[edit]Musical innovators
When the sisters burst upon the music scene in the late 1930s, they shook a very solid musical foundation: producing a slick harmonic blend by singing at the top of their lungs while trying - successfully - to emulate the blare of three harmonizing trumpets, with a full big band racing behind them. Some
bandleaders of the day, such as
Artie Shaw and his musicians, resented them for taking the focus away from the band and emphasizing the vocals instead. They were in as high demand as the big bandleaders themselves, many of whom did not want to share the spotlight and play back-up to a girl trio.
Nevertheless, they found instant appeal with teenagers and young adults who were engrossed in the
swing and
jazz idioms, especially when they performed with nearly all of the major
big bands, including those led by
Glenn Miller,
Benny Goodman,
Buddy Rich,
Tommy Dorsey,
Jimmy Dorsey,
Gene Krupa,
Joe Venuti,
Freddie Slack,
Eddie Heywood,
Bob Crosby (Bing's brother),
Desi Arnaz,
Guy Lombardo,
Les Brown,
Bunny Berigan,
Xavier Cugat,
Paul Whiteman,
Ted Lewis,
Nelson Riddle and mood-master
Gordon Jenkins, whose orchestra and chorus accompanied them on such successful soft and melancholy renditions as "
I Can Dream, Can't I?" (which shot to number one on
Billboard and remained in the
Top 10 for 25 weeks), "
I Wanna Be Loved", "
There Will Never Be Another You", and the inspirational "
The Three Bells" (the first recorded English version of the
French composition), along with several solo recordings with Patty, including a cover version of
Nat King Cole's "
Too Young", "
It Never Entered My Mind", "
If You Go", and "That's How A Love Song Is Born".
[edit]Many styles
While the sisters specialized in
swing,
boogie-woogie, and novelty hits with their trademark lightning-quick vocal syncopations, they also produced major hits in
jazz,
ballads,
folk,
country-western, seasonal, and
religious titles, being the first Decca artists to record an album of
gospel standards in 1950. Their versatility allowed them to pair with many different artists in the recording studios, producing
Top 10hits with the likes of
Bing Crosby (the only recording artist of the 1940s to sell more records than The Andrews Sisters),
Danny Kaye,
Dick Haymes,
Carmen Miranda,
Al Jolson,
Ray McKinley,
Burl Ives,
Ernest Tubb,
Red Foley,
Dan Dailey,
Alfred Apaka, and
Les Paul. In personal appearances, on radio and on television, they sang with everyone from
Rudy Vallee,
Judy Garland and
Nat "King" Cole to
Jimmie Rodgers,
Andy Williams, and
The Supremes. Some obvious 1930's song styles can be heard with early contemporary harmonizers of their day with the
Boswell Sisters, and the
Three X Sisters.
Maxene, Patty, and LaVerne appeared in 17 Hollywood films. Their first picture,
Argentine Nights, paired them with another enthusiastic trio, the
Ritz Brothers.
[12] Universal Pictures, always budget-conscious, refused to hire a choreographer, so the Ritzes taught the sisters some eccentric steps. Thus, in
Argentine Nights and the sisters' next film,
Buck Privates, the Andrews Sisters dance like the Ritz Brothers.
Universal hired the sisters for two more Abbott and Costello comedies, and then promoted them to full-fledged stardom in B musicals.
What's Cookin', Private Buckaroo, and
Give Out, Sisters (the latter portraying the sisters as old ladies) were among the team's popular full-length films.
[edit]Stage and radio shows
The Andrews Sisters were the most sought-after entertainment property in theater shows worldwide during the 1940s and early 1950s, always topping previous house averages. Blonde Patty, brunette Maxene and redhead LaVerne headlined at the
London Palladium in 1948 and 1951 to sold-out crowds. They hosted their own radio shows for
ABC and
CBS from 1944–1951, singing specially-written commercial jingles for such products as
Wrigley's chewing gum,
Dole pineapples,
Nash motor cars,
Kelvinator home appliances,
Campbell's soups, and
Franco-American food products.
[edit]Setting records
The sisters' popularity was such that after the war they discovered some of their records had actually been smuggled into
Germany after the labels had been changed to read "
Hitler's Marching Songs". Their recording of
Bei Mir Bist Du Schön became a favorite of the
Nazis, until it was discovered that the song's composers were of
Jewish descent. Still, it did not stop
concentration camp inmates from secretly singing it, this is most likely since the song was originally a Yiddish song "
Bei Mir Bistu Shein", and had been popularized within the Jewish community before it was recorded as a more successful "cover" version by the Andrews sisters.
Along with
Bing Crosby, separately and jointly, The Andrews Sisters were among the performers who incorporated
ethnic music styles into America's
Hit Parade, popularizing or enhancing the popularity of songs with melodies originating in
Brazil,
Czechoslovakia,
France,
Ireland,
Israel,
Italy,
Mexico,
Russia,
Spain,
Sweden, and
Trinidad, many of which their manager chose for them.
The Andrews Sisters became the best-selling female vocal group in the history of popular music, setting records that remain unsurpassed to this day:
- between 75-100 million records sold from a little over 600 recorded tunes
- 113 charted Billboard hits, 46 reaching Top 10 status (more than Elvis Presley or The Beatles)
- 17 Hollywood films (more than any other singing group in motion picture history)
- record-breaking theater and cabaret runs all across America and Europe;
- countless appearances on radio shows from 1935 to 1960 (including their own)
- guest spots on every major television show of the 1950s and 1960s, including those hosted by Ed Sullivan, Milton Berle, Perry Como,Frank Sinatra, Dean Martin, Sammy Davis, Jr., Johnny Carson, Joey Bishop, Art Linkletter, and Jimmy Dean.
[edit]Repertoire
[edit]Hit records
| Year | Single | Chart positions |
|---|
| US | US
R&B | US Country |
|---|
| 1938 | "Bei Mir Bist Du Schoen" | 1 | - | - |
| "Nice Work If You Can Get It" | 12 | - | - |
| "Joseph, Joseph" | 18 | - | - |
| "Ti-Pi-Tin" | 12 | - | - |
| "Shortenin' Bread" | 16 | - | - |
| "Says My Heart" | 10 | - | - |
| "Tu-li-Tulip Time" | 9 | - | - |
| "Sha-Sha" | 17 | - | - |
| "Lullaby To a Jitterbug" | 10 | - | - |
| 1939 | "Pross-Tchai (Goodbye)" | 15 | - | - |
| "Hold Tight, Hold Tight" | 2 | - | - |
| "You Don't Know How Much You Can Suffer" | 14 | - | - |
| "Beer Barrel Polka (Roll Out the Barrel)" | 4 | - | - |
| "Well All Right (Tonight's the Night)" | 5 | - | - |
| "Ciribiribin (They're So In Love)"(with Bing Crosby) | 13 | - | - |
| "Yodelin' Jive"(with Bing Crosby) | 4 | - | - |
| "Chico's Love Song" | 11 | - | - |
| 1940 | "Say Si Si (Para Vigo Me Voy)" | 4 | - | - |
| "The Woodpecker Song" | 6 | - | - |
| "Down By the O-Hi-O" | 21 | - | - |
| "Rhumboogie" | 11 | - | - |
| "Ferryboat Serenade" | 1 | - | - |
| "Hit the Road" | 27 | - | - |
| "Beat Me Daddy, Eight to the Bar" | 2 | - | - |
| 1941 | "Scrub Me, Mama, With a Boogie Beat" | 10 | - | - |
| "Boogie Woogie Bugle Boy" | 6 | - | - |
| "I Yi, Yi, Yi, Yi (I Like You Very Much)" | 11 | - | - |
| "(I'll Be With You) In Apple Blossom Time" | 5 | - | - |
| "Aurora" | 10 | - | - |
| "Sonny Boy" | 22 | - | - |
| "The Nickel Serenade" | 22 | - | - |
| "Sleepy Serenade" | 22 | - | - |
| "I Wish I Had a Dime (For Every Time I Missed You)" | 20 | - | - |
| "Jealous" | 12 | - | - |
| 1942 | "The Shrine of St. Cecilia" | 3 | - | - |
| "I'll Pray For You" | 22 | - | - |
| "Three Little Sisters" | 8 | - | - |
| "Don't Sit Under the Apple Tree" | 16 | - | - |
| "Pennsylvania Polka" | 17 | - | - |
| "That's the Moon, My Son" | 18 | - | - |
| "Mister Five By Five" | 14 | - | - |
| "Strip Polka" | 6 | - | - |
| "Here Comes the Navy" | 17 | - | - |
| 1943 | "East of the Rockies" | 18 | - | - |
| "Pistol Packin' Mama"(with Bing Crosby) | 2 | 3 | 1 |
| "Victory Polka"(with Bing Crosby) | 5 | - | - |
| "Jingle Bells"(with Bing Crosby) | 19 | - | - |
| "Shoo-Shoo Baby" | 1 | - | - |
| 1944 | "Down In the Valley" | 20 | - | - |
| "Straighten Up and Fly Right" | 8 | - | - |
| "Tico Tico" | 24 | - | - |
| "Sing a Tropical Song" | 24 | - | - |
| "Is You Is Or Is You Ain't My Baby"(with Bing Crosby) | 2 | - | - |
| "A Hot Time In the Town of Berlin"(with Bing Crosby) | 1 | - | - |
| "Don't Fence Me In"(with Bing Crosby) | 1 | 9 | - |
| 1945 | "Rum and Coca Cola" | 1 | 3 | - |
| "Accentuate the Positive"(with Bing Crosby) | 2 | - | - |
| "The Three Caballeros"(with Bing Crosby) | 8 | - | - |
| "One Meat Ball" | 15 | - | - |
| "Corns For My Country" | 21 | - | - |
| "Along the Navajo Trail"(with Bing Crosby) | 2 | - | - |
| "The Blond Sailor" | 8 | - | - |
| 1946 | "Money Is the Root of All Evil" | 9 | - | - |
| "Patience and Fortitude" | 12 | - | - |
| "Coax Me a Little Bit" | 24 | - | - |
| "South America, Take It Away"(with Bing Crosby) | 2 | - | - |
| "Get Your Kicks On Route 66"(with Bing Crosby) | 14 | - | - |
| "I Don't Know Why" | 17 | - | - |
| "House of Blue Lights" | 15 | - | - |
| "Rumors Are Flying"(with Les Paul) | 4 | - | - |
| "Winter Wonderland"(with Guy Lombardo) | 22 | - | - |
| "Christmas Island"(with Guy Lombardo) | 7 | - | - |
| 1947 | "Tallahassee"(with Bing Crosby) | 10 | - | - |
| "There's No Business Like Show Business"(with Bing Crosby and Dick Haymes) | 25 | - | - |
| "On the Avenue" | 21 | - | - |
| "Near You" | 2 | - | - |
| "The Lady From 29 Palms" | 7 | - | - |
| "The Freedom Train"(with Bing Crosby) | 21 | - | - |
| "Civilization (Bongo, Bongo, Bongo)"(with Danny Kaye) | 3 | - | - |
| "Jingle Bells"(with Bing Crosby)(re-entry) | 21 | - | - |
| "Santa Claus Is Comin' To Town"(with Bing Crosby) | 22 | - | - |
| "Christmas Island"(with Guy Lombardo)(re-entry) | 20 | - | - |
| "Your Red Wagon" | 24 | - | - |
| "How Lucky You Are" | 22 | - | - |
| 1948 | "You Don't Have To Know the Language"(with Bing Crosby) | 21 | - | - |
| "Teresa"(with Dick Haymes) | 21 | - | - |
| "Toolie Oolie Doolie (The Yodel Polka)" | 3 | - | - |
| "I Hate To Lose You" | 14 | - | - |
| "Heartbreaker" | 21 | - | - |
| "Sabre Dance" | 20 | - | - |
| "Woody Woodpecker"(with Danny Kaye) | 18 | - | - |
| "Blue Tail Fly"(with Burl Ives) | 24 | - | - |
| "Underneath the Arches" | 5 | - | - |
| "You Call Everybody Darling" | 8 | - | - |
| "Cuanto La Gusta"(with Carmen Miranda) | 12 | - | - |
| "160 Acres"(with Bing Crosby) | 23 | - | - |
| "Bella Bella Marie" | 23 | - | - |
| 1949 | "Christmas Island"(with Guy Lombardo)(re-entry) | 26 | - | - |
| "The Pussy Cat Song (Nyow! Nyot! Nyow!)"(Patty Andrews w/Bob Crosby) | 12 | - | - |
| "More Beer!" | 30 | - | - |
| "I'm Bitin' My Fingernails and Thinking of You"(with Ernest Tubb) | 30 | - | 2 |
| "Don't Rob Another Man's Castle"(with Ernest Tubb) | - | - | 6 |
| "I Can Dream, Can't I?" | 1 | - | - |
| "The Wedding of Lili Marlene" | 20 | - | - |
| "She Wore a Yellow Ribbon"(with Russ Morgan) | 22 | - | - |
| "Charley, My Boy"(with Russ Morgan) | 15 | - | - |
| 1950 | "Merry Christmas Polka"(with Guy Lombardo) | 18 | - | - |
| "Have I Told You Lately That I Love You"(with Bing Crosby) | 24 | - | - |
| "Quicksilver"(with Bing Crosby) | 6 | - | - |
| "The Wedding Samba"(with Carmen Miranda) | 23 | - | - |
| "I Wanna Be Loved" | 1 | - | - |
| "Can't We Talk It Over" | 22 | - | - |
| "A Bushel and a Peck" | 22 | - | - |
| 1951 | "A Penny a Kiss, a Penny a Hug" | 17 | - | - |
| "Sparrow in the Tree Top"(with Bing Crosby) | 8 | - | - |
| "Too Young"(Patty Andrews) | 19 | - | - |
| 1955 | "Suddenly There's a Valley"(Patty Andrews) | 69 | - | - |
[edit]Other songs
Highest chart positions on Billboard; with
Vic Schoen and his orchestra, unless otherwise noted:
[edit]Film and theatre
[edit]Filmography
- Argentine Nights (Universal Pictures, 1940)
- Buck Privates (Universal Pictures, 1941)
- In the Navy (Universal Pictures, 1941)
- Hold That Ghost (Universal Pictures, 1941)
- What's Cookin'? (Universal Pictures, 1942)
- Private Buckaroo (Universal Pictures, 1942)
- Give Out, Sisters (Universal Pictures, 1942)
- How's About It (Universal Pictures, 1943)
- Always a Bridesmaid (Universal Pictures, 1943)
- Swingtime Johnny (Universal Pictures, 1943)
- Moonlight and Cactus (Universal Pictures, 1944)
- Follow the Boys (Universal Pictures, 1944)
- Hollywood Canteen (Warner Brothers, 1944)
- Her Lucky Night (Universal Pictures, 1945)
- Make Mine Music (Walt Disney Studios, 1946)
- Road to Rio (Paramount Pictures, 1947)
- Melody Time (Walt Disney Studios, 1948)
- Brother, Can You Spare a Dime? (1975)
- Breach (background music) (2007)
[edit]Broadway
- Over Here! (1974; Shubert Theater, New York City, 9 months)
[edit]As Muppets
They were parodied on "Sesame Street" as the Androoze Sisters, named Mayeeme (Audrey Smith), Pattiz (
Maeretha Stewart), and Lavoorrnee (
Kevin Clash).
[edit]Awards and recognition
The Andrews Sisters were inducted into the
Vocal Group Hall of Fame in 1998. The Andrew Sisters song with Danny Kaye "Civilization" (Bingo,Bango,Bongo) is featured in the 2008 Game Fallout 3.
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